{"id":21287,"date":"2026-01-13T11:45:09","date_gmt":"2026-01-13T10:45:09","guid":{"rendered":"https:\/\/www.virtuosobelcanto.com\/vb-baroque-2026\/offerta-formativa\/"},"modified":"2026-05-15T12:14:17","modified_gmt":"2026-05-15T10:14:17","slug":"educational-program","status":"publish","type":"page","link":"https:\/\/www.virtuosobelcanto.com\/en\/vb-baroque-2026\/educational-program\/","title":{"rendered":"Educational Program"},"content":{"rendered":"

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Educational program<\/span><\/h1>\n

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V&B Baroque 2026:<\/strong><\/h3>\n

\u201cL\u2019Orchestre du Roi: Lully and French Baroque Music\u201d<\/strong><\/h2>\n
Lucca, 18-26 July 2026<\/h5>\n

in collaboration with
\nIstituto Giovanni Battista Lulli
\n<\/strong>Institut fran\u00e7ais de Florence<\/strong><\/p>\n

The L\u2019Orchestre du Roi<\/em> course is dedicated to the study and performance of the opera Ballet Royal de la naissance de V\u00e9nus<\/em> by Jean-Baptiste Lully<\/strong> and the 17th-century French Baroque music and the musical tradition of the court of Versailles. The final concert will take place on Sunday, July 26th<\/strong> in Palazzo Pfanner – Lucca.<\/p>\n

The course offers an in-depth immersion in the French orchestral and vocal style of the age of Louis XIV, addressing its historical, rhetorical, and performance foundations: orchestral layout, balance of parts, the relationship between music and declamation, and the articulation of instrumental and vocal gesture.<\/p>\n

The collaboration between the Virtuoso & Belcanto Festival<\/strong>, the Istituto Giovanni Battista Lulli<\/strong>, and the Institut Fran\u00e7ais de Florence<\/strong> launches a shared path of advanced training and artistic research, aimed at rediscovering Lullian practice and poetics through philological criteria and contemporary sensitivity. Baroque V&B will be the first step in a possible theater production<\/strong>, in collaboration with a network of Italian theaters.<\/p>\n

Set within the framework of the Virtuoso & Belcanto Festival, the masterclass is intended for young instrumentalists and singers interested in deepening their knowledge of 17th-century French performance practice, through a program that combines historical rigor with collective musical practice.<\/p>\n

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STEP 1<\/span><\/p>\n

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