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Aglaia Tarantino<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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A classical solo and chamber music pianist, she has played and been regularly invited to play in the most prestigious associations and Italian music festivals as well as been regularly invited to perform internationally in prestigious concert halls in the UK, USA, Japan, Spain, Ireland, France, Czech Republic, Hungary, Egypt, Switzerland, and the Middle East ..
\nWinner of many awards, national and international competitions such as: \u201cSchubert Prize\u201d, \u201cTortona Prize\u201d, \u201cCity of Asti\u201d, \u201cBeltrami award\u201d, \u201cFerrero award\u201d, \u201cCilea award\u201d, etc \u2026
\nAs a student at the Conservatory \u201cG.Verdi\u201d in Milan, she won a scholarship reserved for the best piano accompanist.
\nOfficial piano accompanist at the Royal Academy of Music in London during the years 2010-2015 (string department ) including classes and master classes of Maxim Vengerov, Nobuko Imai, Mario Brunello, William Bennett, Colin Carr, James Ehnes, Tasmin Little, Hartmut Rohde, Paul Silverthorne, Tatjana Masurenko, Lydia Mordkovitch, Conrad Muck, Atar Arad. She has also worked on different occasions at the Royal College of Music, Guildhall Music and Drama and Trinity College London.
\nLong collaboration for the chamber music and contemporary (LSO Soundhub) seasons with the London Symphony Orchestra at the Barbican and St. Luke\u2019s. Most of these concerts are available on YouTube.
\nTeacher and accompanist at \u201cAmeropa\u201d faculty and the Prague International Festival, Edward Said National Conservatory in Ramallah (Palestine), London Halcyon International School, Conservatory of Como, \u201cUniversity of London \u2013 Central School of Speech and Drama,\u201d \u201cThe Theme music School \u201cin London and at the music schools in Garbagnate and San Donato Milanese. In 2008, she was a lecturer at the \u201cprofessional piano courses for the European Foundation, Theatre Politeama in Catanzaro.
\nAlways interested in discovering and performing contemporary music, she has performed world premieres of composers like B. Moretti ( \u201cBestiary of the XXI Century\u201d) and C. Galante ( \u201cFour preludes to the Dionysus procession\u201d) and collaborated as a guest artist with various contemporary ensembles, including the London Sinfonietta for some projects and with several international composers. At the Royal Academy of Music she has worked for several years with the composer Maxwell Davies at his composition class.
\nShe has performed as soloist with the orchestras: Symphony Orchestra \u201cG. Verdi\u201d (dir. R. Polanstri), \u201cPiccola Sinfonica di Milano\u201d (dir. S.M Lucarelli), \u201cG.B.Sammartini\u201d orchestra (dir. F.Borali).
\nLong term piano partner with Paul Silverthorne (principal violist of the London Symphony Orchestra \/ London Sinfonietta), Lorenzo Iosco (first bass clarinet of the London Symphony Orchestra), Andrea Manco (principal flute of the Teatro alla Scala in Milan, the Teatro Regio in Turin) .
\nBorn in Milan, she graduated at the Conservatory \u201cG. Verdi\u201d of Milan with the highest marks under the guidance of Maestro Vincenzo Balzani.
\nShe also studied with Hans Fazzari, Vitaly Margulis and Dario de Rosa, Renato Zanettovich at the \u201cTrio di Trieste\u201d Chamber Music Academy in Duino.
\nIn 2005 she won a scholarship for the Postgraduate studies in Piano accompaniment at the Royal Academy of Music in London, with Clifton Benson and Ian Brown. During these years of studies she won the \u201cWilfred Parry Prize\u201d (piano accompanist) and \u201cM. A. Garrett Prize\u201d (Brahms chamber music).
\nThe CD with the flutist Andrea Manco is available on iTunes and Amazon, an exclusive attachment to the monthly \u201cFalaut\u201d magazine distributed in 2011.<\/p>\n
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